DigiBoom Field Broadcast Deluxe Kit
DigiBoom Field Broadcast Deluxe Kit
Digiboom is a lightweight broadcast solution to getting the shots the other guys can’t.
Energize your location shots, breaking news, and sports footage
DigiBoom is a new gimbal-stabilized camera rig that merges the best of Steadicam, jib, drone, and handheld with the portability of an ENG camera. Use DigiBoom to add eye-popping shots and premium feel to your live and pre-recorded news, events, and sports. Push your content above the competition.
Get the Shots and Unique Camera Angles That Make Your Footage Stand Out
DigiBoom powers your cameras to go from ground level to over 8’ and everywhere in between while the integrated gimbal keeps shots smooth and steady (up to 12’ with the optional extension). Use DigiBoom to create sweeping camera moves or place cameras into unusual point-of-views for maximum visual impact:
Get impossible shots– DigiBoom reaches any target, moves quickly, and gets angles and were previously unimaginable
Elevate your game - Extend the pole up to 8 feet to get shots of the tallest on the court, a crowded field and even places where tripods or handheld aren’t practical. Use the optional 3 foot extension accessory for even higher and truly epic views
Operate above the crowd – Get in front of, above, below, or around any obstacles with total control of camera angle and position
Perfect new moves – Create dynamic and premium cinema-style shots with smooth gimbal stabilization that will have people saying “How did they do that?“
Designed for Fast-Moving Productions and Small Crews
DigiBoom doesn’t require additional crew or specialized skills, and can be learned in a few hours of practice. Familiar camera controls and functions are similar to traditional ENG cameras, and gimbal controls are intuitive and responsive. Solo camera operators are more productive and creative, now with options for unique dynamic footage. The highly mobile rig means shots and angles can be easily improvised for fast-moving news or on-the-spot creative choices.
DigiBoom works with Your Current Workflow
DigiBoom easily integrates with existing broadcast workflow, whether plugging in live to the production truck or recording b-roll. All the codecs, resolutions, and connectivity is there so DigiBoom is up and running on day one.
|Carbon fiber boom pole with anti-rotation and locking extenders||Minimum length 36"|
|Integrated internal cables||Maximum length 72" (not including gimbal and battery case) - longer with optional pole extensions|
Body Mode follows subject
|3-axis full-time electronic camera stabilizer tool-less axis adjustments and camera balancing||Gimbal Capacity: Up to 6.5 lbs (camera and lens)|
|Integrated camera power and control||System Weight Fully Loaded: 10 lbs.|
|World Mode follows operator movements|
|2x hand controls, left or right handed||Repositionable and lockable||4 assignable buttons||Gimbal control joystick|
|Focus fingerwheel||Zoom rocker||Iris wheel||Soft buttons and OLED display for setup and configuration|
|Batteries Required||External Power|
|2x Sony BP series batteries (not included)||5-pin XLR external power input|
|% battery remaining readout (at hand grips)|
|Gimbal tuning, mode and calibration interface|
|Audio In||Audio Out|
|2x XLR 1/4" combo jacks input||2x XLR 1/4" combo jacks output|
|Channel selectable toggle switches|
|Audio sources available at camera for single source recording|
|Audio sources available on boom for external recording|
|1||DigiBoom gimbal-stabilized mobile jib||42-300-0001|
|1||DigiBoom hard case with fitted foam, flight ready||42-300-0006|
|1||DigiBoom body support sling||42-300-0008|
|1||HDMI cable, 10'||N/A|
|1||Adjustable monitor support arm||N/A|
How long is the DigiBoom?
DigiBoom's length/height can be adjusted
What is the capacity of the gimbal?
Approximately 6.5lbs with proper camera balance
Can the length of DigiBoom be extended?
Yes, with the optional 3' pole extension accessory, DigiBoom can be extended in 3 foot increments
What cameras are Compatible with DigiBoom?
DigiBoom can be used with any appropriate camera and display. To get the most from DigiBoom, the preferred recorder and camera are the Blackmagic Video Assist and Micro Studio Camera 4K, the world’s smallest broadcast quality live production camera.
The unique connectivity of the Micro Studio 4k Camera’s expansion port gives operators fingertip control over all camera functions directly from the DigiBoom handgrips. The Video Assist offers full-time operator monitoring, recording to internal SD cards and offering SDI pass-through for live broadcast.
What lenses are compatible with DigiBoom?
Any lens that is compatible with your camera and fits within the weight limit. Remote access to lens functions are limited to lens capability and camera compatibility with DigiBoom
Can I use DigiBoom as a replacement for a traditional jib or crane?
Yes, you can use it as a mobile jib to reach high places and move about quickly, or attach DigiBoom to your fluid head tripod for traditional jib/crane style moves
How is DigiBoom powered?
DigiBoom is powered via 2 onboard Sony BP style batteries, or via the 5-pin XLR external power port
Does DigiBoom provide power to the camera and/or onboard monitor?
Yes, DigiBoom can power the camera, monitor/recorder and gimbal all from one power source
Does this include everything I need?
The 42-300-0001 DigiBoom is only the DigiBoom itself, designed primarily for those building up their own kit. If you are looking for a full-featured deluxe kit with everything you want, consider 42-300-0002 DigiBoom - Field Broadcast deluxe kit (batteries, monitor, camera and lens are sold separately)
Can I use external audio sources, like a wireless mic?
Yes - DigiBoom can use on-camera or external audio sources, and allows you to switch between them easily. The built-in XLR/ 1/4" dual purpose connectors offer industry standard ports for most audio inputs. You can use the on-camera mic for ambient sound, attach an onboard mixer (not included) and mix a wireless talent mic for location coverage, or run dual XLR inputs if you have a dedicated sound engineer.